Friday, 16 May 2014

Sigmar Polke



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One artwork of Polke's can send you coursing down a quicksilver network of ideas and associations. Imagine, then, the impact of a full 265 of them. Six years in the making, filling a dozen galleries, drawing on nearly all the museum's departments, Alibis: Sigmar Polke, 1963–2010 – which travels to Tate Modern in London this October – is one of the largest shows this institution has ever mounted. And, I am overjoyed to say, it is one of the best shows MoMA has ever mounted too.

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